Alicia Stone plays the OG Beverly Hills baddie whose life revolves around boys, Burberry, and her fully stocked revolving closet.
#Chick flick movies how to
But of course, there's nothing like a Hugh Grant classic or the undeniable chemistry of Kate Hudson and Matthew McConaughey in How To Lose A Guy In Ten Days. Best chick-flick movies on Netflix, Amazon Prime, Hulu, Disney+ or DVD in 2023 Something from Tiffanys. Clueless is the ultimate 90s chick flick. Looking for something a bit more recent? Well, there's always Netflix’s trio franchise To All The Boys I’ve Loved Before, and you cannot go wrong with a bit of Jennifer Lopez in this year's Marry Me and Hustlers. Want something a bit more heartwarming and coming-of-age? Saoirse Ronan doesn't disappoint as a teenager with lofty ambitions in Lady Bird. But ever the sassy queen, she realises the man is not what she was looking for a legal career is what truly makes her happy. Probably because Meg Ryan and Tom Hanks are what rom-com dreams are. Just in case you've been living under a rock: the film follows Elle as she enrols at Harvard to win back her man and get a law degree. Despite being very technologically dated, Youve Got Mail is perhaps one of the most chick flick-y chick flicks on this list. Or how about Legally Blonde? It may not have won Reese Witherspoon her Oscar, but playing the iconic Elle Woods is arguably the actress’ finest hour. In other terms, those female characters who do not correspond to the neo-feminist mould (i.e., the empowerment of women through the celebration of preconceived and conventional feminine traits) are not recognized as deserving of lead characters.Looking for a classic? Look no further than Charlie's Angels, with our favourite trio Cameron, Drew and Lucy. Retrospectively, this definition implies a set of beliefs and values mainstreamed by a heteronormative system. : Chick Flicks - 8-Movie Set - Moscow on the Hudson - Sweet Hearts Dance - If Lucy Fell - Imaginary Heroes - Lies and Alibis - You Light Up My Life - Mr. Such companionship ceases to exist only to be recaptured at the end of the film. In addition, main female characters tend to be defined in contrast with other female characters, mostly to their expense, which drives the narrative towards the creation of unhealthy environment and relationship dynamics as far as female companionship is concerned. As Radner (2010) further argues, “the aspects of these films that unite them revolve around the way in which the heroine herself is defined” (Radner, 2010. In all of them, the action of buying feminine clothes, makeup, or shoes represents a large part of women’s identities. In fact, the films presented before act as evidence of such an argument. Radner (2010) contends that “what sets the girly film apart from other films geared towards a female is its focus on consumer culture.” (Radner, 2010. To begin with, the first productions were not directly labeled chick flicks: instead, they were categorized as "Girly Films". Therefore, the aim of this article is to present how such implications have launched the evolution of the genre since the 1990s and how it has clashed with postfeminist theory.
Race and ethnicity are topics which chick flicks do not usually approach in depth: as such, they are already found lacking in that department. However, their implications go beyond plot-related issues which this article will explore, such as sexuality, gender, and male-dominated spaces.
Works such as Mean Girls (2004), The Princess Diaries (2001), Clueless (1995), or Pretty Woman (1990) have become quite iconic to the chick flick genre. In its early developments, chick flicks were understood as white female-targeted films which involved white feminine-related topics and whose main female white characters “are often strong, confident and quick-witted, engaging in verbal battles to achieve their ‘happily ever after’ either with their lead male character or with fellow female characters, or sometimes both.” (Wilkins, 2017.
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